LIBRARY 


M.Knoedler& Co. 


14 East 57th St. 
New York 


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» American Art Galleries. — 
he sale of his small collection of foreign 
ictures and of his paintings by natives at 


American Art Galleries on Wednesday 
will deprive Mr. Samuel Coq 
l many silent friends w 


. Whilst he p, 
sells the contents ‘Ny s studio, both 
S$ and water colors, "f@etures large and 
i¢tures small, which tell of his travels nq, 


nd Mexico. The entire collection 

Ses about ohe hundred canvases, sever 
them being his own work in water 
olors and oils. : 
Among the twenty-six pictures under 
ther names a little Italian scene with 
presses and church facade by Elihu Ved- 
r is conspicuous for its bold color scheme 
d distinct characteristic; it is a genre 
dad landscape combined called ‘“' Be- 
‘eaved,’’ executed in oils with a much hap- 
jer touch than Vedder is apt to give, bet- 
ter, for instance, than his touch in the lit- 
We head eallea “Sappho.” Another good 
@il painting is a head of an Italian girl by 
i illiam Sartain. ‘‘ Waste Lands,’ also, a 


; of interest to admirers of his landscapes 
/ Since it has much of the quality of his 
| best work in oils. 
'* An American whose pictures are rarely 
Seen is Frank Currier of Munich. 
, collection has an impressionist water color 
| called “ Twilight,” which shows once more 
how much we have lost through Currier’s 
“expatriation. ft is a vivid color-scheme, a 
Gre done in:a slashing but masterly way. 
The water-color head of a girl in a black 
bonnet by William M. Chase appears to be- 
tong to the period when Currier and he, 
Duverneck, Muhrman, Shirlaw, Blum, and 
Twachtman were members of the band of 
ee Amerikaner in the art-producing 
@apital of Bavaria. It has no littie charm. 
Nictor Nehiig isanother revéenant like Cur- 
his “Combat in the Woods” betwéen 


This 


| ligh 


i ded. Veyrassat, 

| The gem of the foreign contingent is a 
| Corot, a little study at Ville d’Avray, 9 by 
| d2 inches, witha feathery clump of treés 
| im the middle distance and a small figure 
, Of 2 woman tothe left before a wedge of 
' woods. The:sky has almost no incident, 
| eRe picture as a composition might be 
[termed conventional, And yet this. little 
,Sanvas stands out.in reserved beauty, so 


‘by Natives and Foreigners at 


Italy and Holland alone, but in 2 ee 


water color by J. Francis Murphy, will .be | 


| 


| 


1 


ta ; 
‘tan 


Tapiro; a ni 
eer,” by the 


"tt CMe 


‘against the cloudless sky. os 
- Such a picture would find a fitting place 
‘in the ere hall of a club. It is forty-one 
pecnee nigh and thirty-five bibs gs eae 
A4mpressive tonal piece is “T Water 
‘Towers of Marfily Mexico,” showing an 
aqueduct and building of the Spaniards 
and one of those quaint ox carts with solid 
wheels that still exist in many parts of 
Mexico. This is a. wide picture, over four 
feet in breadth. Still larger is the.‘ Au- 
tumn in the Kanawha Valley, West Vir- 
zinia’; it is fully six feet long. Among 
the Western pictures the ‘“‘ Pacific Coast) 
at Monterey, California,’’ is only second in) 
charm to the view of the Grand Cafion 
Among the Eastern, 0. 82," Hetky 
Farm, Newport, R. L.,” is the best in Oils, 
with its warm, agreeable tones, its strea 
of blue pore and its reflection of the char- 
actér of the local landscape. Less suc- 
cessful are ‘‘ Borders of Lake _ Texcoco, 
Mexico,’ and ‘Outskirts of the City of 
Mexico.”’ Excellent is the little oil ‘Coast 
of Btretat,” dated 1887. : 
Veiice is an old ground for Mr, Colman, 
but for some reason the Venetian scenes 
lack the personal something that a good 
many other pictures contain: The big oil 
color, “‘ Church and Island of San Giorgio,” 
is a handsome piece of decoration, but! 
lacks savor... Less dry is the large canvas. 
showing “ Fishing Boats Becalmed in the 
Aartatie.” Preferable is ‘“‘ Bdge of a Wood’ 
in November” and “A othe? s Day at 
Zaandam, Holland.’’ Perhaps Venice has 
been painted so often that there is need of 
& special power or a novel touch to make 
one grateful. Some, at least, of these 
Venice views were painted long toe since) 
their making, how many other artists from 
America have tried their skill ee eHeNs 


same lagunes! 


om oils of Samuel Col- 

T eblers o often a “that 
his rather than the other me- 
neduct at Pueblo, Mexico,”’ 
st of the water colors. 
ihe bits are ‘“ At Narragansett 
two views from the rocks. 
ral at Quimper, Brittany,’’. 
, France,” and “ Hscalier des; 
nes.” Three little water colors: 
y the attractions. of the. canal 


and “Kew on “hh 
s” are further water colors some- 
ickine, it is true, in the transparency 

ash, but full of tone and often in- 
. a Coie gravity and breadth of 
it aehiens after all, is the individuat 
hat Colman has imprinted on all 


Dwarrit OLD CHINA AND COLMAN 
_ PICTURES AT AUt ye 


ager miatere and aes for the . 


he! agpeadiag Old rdshire Ware 
R470 — for a Platter—A Corot for 


$2, 200—Colman Top Price, $500. 
wo intersting sales took at the 
| American Art Galleries yester nd both 
were well attended. In t afternoon 
Mr. Kirby began the a of the col- . 
ction of, ceramics ‘the late A. 
rritt of Watexbury, Conn., and 
he so y-seven paint- | 
er col whed by Samuel | 


Co. n | ogee ct cctg se pitgeninel a | 
wn wo ti paintings an 
Sag a works, and by Barbizon and Dutch 

nters. 


The first session of the Burritt sale real- 
a ized $5,809. The sale of Mr. Burritt’s 
& 


ceramics will be continued this afternoon, 
nd this evening his fine collection of etch- 
mgs will be dispersed. Mr. Colman’s sale 


gale in the evening there 
x others John Harsen 
. Evans, Thomas B. 
Tiffany, Thomas W. Wodd, 
rick y, ex-Judge W. M. 

0. Havemeyer, A. W. 
Y Galbraith Ward, D. Q. 
s, W. Gould, S. T.. Peters, 
dealers M. Durand-Ruel, 


pC & Co., 


* ‘o., Knoedler & Co. and Glaenzer 

- The highest: price paid. for a work of 
ur. man’s van $600 for his “Fishing ; 
calmed in the Adriatic,” and the 


el cee of the har was $2,200, 
tv cook ate ine, Mi. coli Ville | 
a (9x127 inches), in Mr. Colman’s 
array 


(rece ileermareia arene nes ke 


ed. in proceéds of $22,275. j 


beth, and representatives, of | i | 


oe ce Colman Pictures. aie | 


PAINTED BY MR. COLMAN. } 
i—"Dutoh Coasting | Craft” (water. color); 
ADRS Peele ahaha ra oy pute hea ese nam $40: 
Kone “eh ate rom the River” « Gwater color): 
OPED NDE Bea Bat ea EOP pI Vine 2 30) 
aA yew (water color): Mrs.’ Willlams.. 65) 
"Mosque of Sidi-bou-Hac, Tiemcin, Alge-~ 
I Windmi reg olor} Dunham.) eG 40) 
5—" Nob coer is 01 Zaandam” (water color); V : 
esha: Lines tower rho” (water color); Notman,, | «1 
"Woods Trees: Néwport;” Dunham, RP é 
tert in. October: Irvington)”: D. M. " 
a-Saie ill Valley, Westchester;” Wall.. 80 
0-—“Lake Conésus:” eorge Goi Ward.ail ton £0) 
fishermen Landing Boats. at -Bor- 
ighéra;” umhasm ....5:.c0ne cay we taenes 100) 
Ai to Colorado Dasa “trom e] 
‘Peach Spring;” Dunham............0.30, 100) 
13—"Coast at Btretat:” Mona CAMERON SMR 8 50) 
1A Brees from the Grand Canal:” ©. W. i 
15—"Bdge of 2 Wood in November.” Cochran,» iH 
lense cen a City of Mexico (water id 
OX NOTA Sse sic cake adel Bel ee 
| 11—~"On the River Elbe, at Dresden (water . 
colon PeDunbam'... 2. ikea eee 90) 
i Ronda, apaiiy’ (water color); Dunham. 50) 
Some the Viga. City of Mexico,” water . 
MSL TE ALAIN. fsccss oi wih hb peolaenereeaeale See 50) 
20~"Farm Yard at ‘East Hampton,” Sy sat 
21-2" Fah aber . Sunset, Valley of the Gene i 
Mg Willlam Macbeth... 34.0. stasee ts sem 485, 
99. ey ® Campanile;”.R. Terry. PRAT SW ESE 18 100) 
23 Gentine at Venice,” W. T. Evans.....>, 160) 
24—"Néar Ossipee;” Dunham......00. 0008024 85) 
| 25—“Lagoons, ‘rom the Lido; 7” Notman. . 100 
cs a it Irv fas yet Woods in October;” Notman. 15 | 
2 ane he Viga,” water color, D0.’ Tif- 
Bo SP LETT os A uhy eg et ba 75 
At Narcexadsett Pier water Color D He 
LTS o's ime es gee & wie a feoiel ewig pile te mee ON pe | 
29-Sketch in Venice,” water color; Wil- 
} liams Be ee em ee he ae ee OPEN ee ee © 0 See é 3 
80-—“At ‘Morlaix,” water color: "Notman...... 125) 
 S1—“Bscalier des Carmes;. Rennes,” water 
ie COLO RIGTEWAY oii bbs Juevees debeleneeus 80 
| 82—“On the Viga,” water color; Dunham.. 40 
alae ee ec Meadows,” water color; G. G. a 
ss SsMiids Shvecbi a abe hein woe 4 op altoid da bhcacarl eee aah aL a 105) 
Pama Street, Sé ene tote Marfil:” Dunham... ..: 85 
85"Ou blo, Mexico,” Péters. . 5d) 
36—“Pacific Coast ne Calm Weather, Even- 
Re WIS ATT Noise ge occ Ge a SG hake 450 
37—"Lime Kilns of Pueblo:” N otman. ....... 275) 
="Grinnell’s -Polat:” “Wiliams... 9 .0.. 65 
go—"Study of Trees, Westchester; ?" R. Perry, 60 
40-—"“Venice at Sunset:” Main .,....:.,0..4. 80 
41—“Wood Scene;” Dunham REE Bete as, 1. 40 | 
| 42—“Autumn at Irvington;” Cochrane .o5 55 
sda ils. duties Pier,” ‘water. color; Not- me 
Pies bel dads Bathe FIG Sash oH Ria ahd g DR RR 1 
} 44" Oathicdral at Quimper, Brittany,” water 
COlOrE NOUMAN ius. ears ee sais nee 95 
| oo, Fishing Boats, Naples,” water color; 
peri: 8.0L‘ Nat Binary ey Oe UM Pn HiRy < y anaa oye alt 80 
s0-—"Coast "Of Bordighera,” water color: Not- 
NUP SEL Giese OU DR EAL MPAA E SL Crna cbc fe 100 
41—"Aauiediiet at Pueblo,’ ‘water color: ; 
| PEIN as Chien bs Spo AS RU TRE snus 180 
48-—“Lake  EAe cone: MOON OGIO «).cduvens ee dunes 130 
| 49—~“Edge of a Wood in November;” Peters, 200 
50" Castello del Ovo ‘and Lighthouse, 
Naples;” Williams..... eink al o Mik aaa ee 450° 
51—"‘Showery Day at Zaandam;” Ward. .... 400 
52—“Venetian Fishing Boats becalmed; * 
PV ATIV ATG Fro sll Aoki clade pale eee alt 600) 
| S2a—" Church and ‘issih of San Georgio;” 
Ns Ms ilies CROC aly nies Se ce Fare 576, 


| WORKS BY THE le oo Ne AND OTHER PAINTERS, 
63—-""A bias Town,” water color; Maris: 


GURENE ET a Siiy eke ce eae se selniae gue ae $500 
4 Windy Day in. Holland,” water color, 

Welssenbruch; J: H. Rhoades... ¢0csses 310 
55-—“ Dutch Town,” Miel; Ridgeway ......... 125 
ake Romantic Reader,” Kichter; Ridge- 4 
57— "Goast of Holland, ” Achenbach... 825 
58—“ Dante and Virgil Crossing the “Sty x” 

(study for the large picture in the LOGyeR: 

a ate: Knoédler & Coie, eoc4he 850 
50" A Silvery fie pee ” Corot: Glaenzers. 1,2b0 
60—"Nymph,;" Diez; Glaenzer.... cei. ea eae 1025 
| 81—"Siudy at Ville D’Avray,” Corot; Hig- 

Be RAR dh Aectils ed AAT wiles TA OMRT Tic Uda te LRTI 2,200 
62—“Scené in Smyrna,” Decamps; Glaenzer 800 
63— i ag and Deer,” suki Durand - i 

Lit =) eee Dad Suhel aad te Ug aban PAC eae ai 


isin tthe al saad atNOae issn sy, 24h cain at 


Sear * "ise vO vbw sd eee pia deerye wae ak 
is cs i ‘Veyrassat 
&. paia sues 
6 Corea Dute si Sines water noe 
Peeves eetin abe dee oe 


gar io Ht ohana” (water color), warts 
co SiautA (water color), Bock; ‘Cottle ier 


tee in’ ee ee ee 


; Loe ! 
60— ona (water color), Bas- 
i wen Ghitier Rye Ava Dem aee atone i 
IOs": oe sh Soldier” (water color), Tapird; 
c n—'Study ét a Head” (water color), Chase: 
age (water color), Currier; Rhoades 
eo : Lo ioe Lands” (water color), Murphy; 
‘24-“Sappho at Wédder; Henderson .-.......) 
AB ho,’ PONS, sat Me Henderson... co... | 
ae as uk alian Girl,” Sartain; HO. 
Th ait athedral cs “Prague” (water ‘s0i08), 
a eS y- odds Se ayers 
cs md to ‘Maris; G) aenzer. Fa SRE 
4 er e epegrtet of earn V.;" Roybet; Cot- 


eter ees Sere swe reer anes eeteowe 


PICTURES IN OIL BY MR. COLMAN. 


80-—"Mosque of Sidi-bou-hac, Tlemein, Al- 
geri TR WRSO 5s oe cress ones agus 
ae River, Westchester": A. Ww. 
ee BH iia gtr bi tues Me Oh i joss 4 ae ss <A hie dae aah: pi wto bees ty 
ey Farm, Newport”: Peters... REN 
83" oast ot Holland at Sunset”; Nott 
84—“Water Towers of Marfil”; Notman...... 
+ Autumn in the Kanawa Valles *; Not an. 
rand Caton of cir Colorado”; on 
si—Mountains and Cliffs of Arizona” 
ge-~" Borders of Lake Texcoco”: Notman.. 
"Ruins of a Mosque at Boumadina, “Al- 
BN TRIE) <a dia fair sve gs wk Vis dle pee eas i 
| 194+ FP Goast’ at sai eee eae ‘ Notma: Bee Seay 
ee Scene at Morelia, | hananenl A i 
92--*" Rock y Farm in ‘Autumn’; 
| 98-—"“City ot Leon, Mexico”; ms C. Tiffany... 
; 94—“Evening Ligh ht on Mount Baker”; Notman 
oe Tiekinis of the Cityof Mexico”; Dunham 
“Landscape Study”; G. D. Wheeler...... 


TOL tone: seestteseserenseeneceeete es «822,278 
t Shed ligey i) 2 pe ae 8 Ge 


|a38528 83 88 


prime wollen 
the liveliest 


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ere 


Dun 


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F COLMAN SALE REALIZES $22,275. 
fs 


‘Many Buyers for Bis aaa Palate of the 
Bite | 1Zon School. | 


i “Much: the ia characteristics. as “marked the 
| Burritt aucti the afternoon attached to the. 
Sale of oil infings and aater colors by Samuel 
Colman, Nule:, together @uith his private collec- 
tion of Pio is by paint of the Barbizon school 
land otheM, Yat the American ‘Art Galleries in the 
| evening; 2,275. was realized fo) nninety-six can- 
Lvaees by Mr. Colman. GRi others. 


Last night’s buyers.included ex- Justice Wt M. 


| K.. Olcott, Henry Havemey OD, abe Harsen | 
| Rhoades, D.. 0. Tiny, D. H. Cochran, . jr. 
ST. Peters, W._T. «tans, A. W. Thayer, Eugene 
| Glenzer, Hugo Reisit®er, H. L. Higgins, A. A. 
| Wisewood and Mrs. J. 8S. Watson. ‘The names of 
| some of the pictures by the Barbizon and: other 
painters, together with their’ prices and. pur- 
bearers follow: i 
ies. Wy Corot,. oA. Study at Ville D”Avray,’. H. 
Es Higgins, $2,205" J. B. Cs Conot “tA: Silvery At- | 
'ternoon,’ Hugene Glenzer, $1,250; Wee V. Diag: (a 
Nymph.” Eugene. Glenzer, $1,025; A. G. Décamps, 
GRR Bec in Smyrna,” Eugene .Glenzer,. $800; 
Flugene Delacroix, “Dante and Virgil Crossing the 
Styx,” (study for large picture in the: mera 
-M. Knoedler &. Co. , $850; Andreas Acherbach, | 
“Coast of Holland,” Huge Reisinger, $825; James 


edi ces 


Maris, ‘A. eee Town,’’. Hugene Clenzer, $o00 5 
ae Vedder, ‘ stiuy oF a ”’ Mr. Henderson, $895; an 
and “sia of a Head,” Ss. T. ‘Peters, a 
| 


heel i IE i ee eee) 


sostiemeliaineeatiantateiatieaiit iia 


SALE or COLMAN PICTURES. | 


There was a large and interested audience 
} at the sale last evening at the American Art | 
} Galleries of some seventy oils and water 
j colors by the well known American artist, 
Mr. Samuel Colman, and of twenty-seven 
examples of modern foreign and American 
Tees from Mr, Colman’s private collec- } 

on 
{ The total of the sale was $22,275. The high- | 
| est figure of the sale was $2,200, paid by Mr. 
| Eugene Glaenzer for a Corot, ‘‘A Study at 
Ville. @Avray.”? Mr. Glaenzer also paid 
$1,025 for ‘‘A Nymph,” by Diaz, and $800 for 
a small and’ good example of Decamps. Mr.-| 
Houge Reisinger secured a remarkably fine 
example of Andreas Achenbach for $825, and } 
Knoedler & Co. paid $850 for the study by | 
| Delacroix for his Louvre pictute of ‘‘Danté | 
{ and Virgil Crossing the Styx,’’ while Mr. {| 
Glaenzer bought a small and fine Corot, 
| “Silvery Afternoon,”’ for-$1,250.: 

Mr. Colman’s own pictures sold fairly well, 
especially his water colors. Mr. W. K. 
Olcott paid $575 for the large oil, ‘‘San Gior- 
gio, Venice.’”’ Among the chief buyers of 
the Colman pictures were Messrs. Henry O. 
Havemeyer, . W.. TT. Evans, J. Harsen | 
‘Rhoades, Louis ‘Tiffany, G. M.. Curtis, W. 
| Macbeth, a'Mr. Dunham and a Mr. Notman. 


11 


4g 


3 THE MORNING OF TE 


ay 


SALE AT THE AMERICAN ART GALLERIES 
ON WEDNESDAY EVENING, MARCH 25TH 
AT 8 O’*CLOCK 


Ten NAR 
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CATALOGUE 


OF 


PAINTINGS 
AND WATER COLORS 


BY AND BELONGING TO 


SAMUEL COLMAN, N.A. 


TOGETHER WITH HIS PRIVATE COLLECTION OF 


PICTURES BY ARTISTS OF THE BARBIZON 
SCHOOL AND OTHERS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


THE SALE WILL BE CONDUCTED BY 
THOMAS E. KIRBY 
OF THE AMERICAN ART ASSOCIATION, MANAGERS 
NEW YORK 
19038 


' PressfofyJ. J. Little 
. _ Astor Place,jNew 


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CONDITIONS OF SALE 


1. The highest Bidder to be the Buyer, and if any dispute arise 
between two or more Bidders, the Lot so in dispute shall be im- 
mediately put up again and re-sold. 

2. The Auctioneer reserves the right to reject any bid which is 
merely a nominal or fractional advance, and therefore, in his 
judgment, likely to affect the Sale injuriously. 

3. The Purchasers to give their names and addresses, and to 
pay down a cash deposit, or the whole of the Purchase-money, if 
required, in defauli of which the Lot or Lots so purchased to be 
immediately put up again and re-sold. 

4. The Lots to be taken away at the Buyer’s Expense and Risk 
upon the conclusion of the Sale, and the remainder of the 
Purchase-money to be absolutely paid, or otherwise settled for 
to the satisfaction of the Auctioneer, on or before delivery; in 
default of which the undersigned will not hold themselves respon- 
sible if the Lots be lost, stolen, damaged, or destroyed, but they 
will be left at the sole risk of the Purchaser. 

5. While the undersigned will not hold themselves responsible 
for the correctness of the description, genuineness, or authen- 
ticity of, or any fault or defect in, any Lot, and make no War- 
ranty whatever, they will, upon receiving previous to date of 
Sale trustworthy expert opinion in writing that any Painting 
or other Work of Art is not what it is represented to be, use 
every effort on their part to furnish proof to the contrary; fail- 
ing in which, the object or objects in question will be sold 
subject to the declaration of the aforesaid expert, he being 
liable to the Owner or Owners thereof, for damage or injury 
occasioned thereby. 

6. To prevent inaccuracy in delivery, and inconvenience in the 
settlement of the Purchases, no Lot can, on any account, be re- 
moved during the Sale. 

7. Upon failure to comply with the above conditions, the money 
deposited in part payment shall be forfeited; all Lots uncleared 
within one day from conclusion of Sale shall be re-sold by public 
or private sale, without further notice, and the deficiency (if any) 
attending such re-sale shall be made good by the defaulter at 
this Sale, together with all charges attending the same. This Con- 
dition is without prejudice to the right of the Auctioneer to en- 
force the contract made at this Sale, without such re-sale, if he 
thinks fit. 


Ture AMERICAN ART ASSOCIATION, Manacers 
THOMAS E. KIRBY, AvcrionEER 


a ope : ? Gr q F 3 a 


an 


CATALOGUE 


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SALE AT THE 
AMERICAN ART GALLERIES 


ON WEDNESDAY EVENING, MARCH 25rx 


BEGINNING PROMPTLY AT 8 0O’CLOCK 


PICTURES PAINTED BY MR.. 
COLMAN 


1 
DUTCH COASTING CRAFT Ma ee © 
Water Color roe 


I/ i 
Height, 9% inches; length, 20% inches { | Q/ 


THE TOWN OF BLOIS, FRANCE, FROM THE | wv 
RIVER if foe 


Water Color As roe 


Height, 8% inches; length, 20 inches 


AT KEW ON THE THAMES, ENGLAND Lot 
ie 


Water Color 


Height, 95 inches; length, 15 inches. ‘je 


BS 


4 


THE MOSQUE OF SIDI-BOU-HAC, TLEMCIN, — | ie 
ALGERIA Je 
3 1 

Water Color 


b & 
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oe a 
he 


Height, 7% inches; length, 115% inches 


ae 
ret 


THE WINDMILLS OF ZAANDAM, HOLLAND ot 
Note 
Water Color ae 


Height, 7% inches; length, 11% inches | 
20 . 
6 19°4 


ON LAKE LUGARNO, ITALY Ih if ‘be 


Water Color 


Height, 13% inches; length, 20 inches 


ib ge re 
{) e P 
AUTUMNAL TREES, NEWPORT, R. I. |.) ~ ) ve 
Oil Color ili Ar L 
74 hy 4 


Height, 9% inches; length, 10% inches 


y 
THE WOODS IN OCTOBER: IRVINGTON-ON- ay 
HUDSON a 4 
/i y A PY 
Oil Color |) 


Height, 7% inches; length, 13% inches 


; 
of 
} 


A HILLSIDE, SAW-MILL VALLEY, WESTCHES- 
TER COUNTY EG: 


Oil Color f) ey - 


Height, 842 inches; length, 134% inches 


10 : 


LAKE CONESUS, GENESEE, N. Y. : ffs 
Oil Color if i} y ¢ 
ey Bi. 


Height, 1% inches; length, 14% inches /) |», 
ff, Ue 
UM § 


f 


11 


FISHERMEN LANDING BOATS AT BORDIGHERA, 
ITALY a 


Oil Color 
Height, 8% inches; length, 14144 inches 


12 


THE APPROACH TO COLORADO CANON: FROM — ~ 
PEACH SPRING 


Oil Color 7 vi 


Height, 8% inches; length, 18 inches 


13 


THE COAST AT ETRETAT, FRANCE 
Oil Color 


Height, 94% inches; length, 15144 inches 


14 


VENICE, FROM THE GRAND CANAL 


Oil Color 
Height, 8% inches; length, 16%, inches (’ (I ‘ 


etn 


av 

er 

a pw : 
Oil Color i A ) i 


hig 
Height, 9 inches; length, 17% inchep.) 


15 (ore 
THE EDGE OF A WOOD IN NOVEMBER } Zz 


16 re 
ON THE VIGA, CITY OF MEXICO iW) 


Water Color iy 2 


Height, 9 inches; length, 12% inches ‘i 


yi 


ON THE RIVER ELBE, AT DRESDEN | 


Water Color 


Height, 8% inches; length, 19% inches 


18 
RONDA, SPAIN pf w/t 
Water Color AM aan ey 


Height, 10% inches; length, 14 inches 


: ee 

. as 

19 ‘ a if 
ie we 

‘ R 

arn. 

ha 
ee 


ON THE VIGA, CITY OF MEXICO 
, 
“Wl 


Water Color : 0 


Height, 8% inches; length, 9% inches 


20 ae 00 


FARM YARD AT EAST HAMPTON, ae beet - pf AY | 


Oil Color 5 a 
| | * 


Height, 15% inches; length, 26 inches 


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OCTOBER SUNSET, VALLEY OF THE 
GENESEE 


Oil Color 


Height, 22 inches; length, 27 inches 


22 


THE CAMPANILE, VENICE . N 


Oil Color " a | 


Height, 1034 inches; length, 16% inches 


oe. 


ner 


- 


2 3 ) 0 iv f 
MOONRISE AT VENICE eal» [pe 


: Hy 
Oil Color Lida 
Fy i 8 
i 


Height, 10% inches; length, 18% inches /) 


24 . Ar 
NEAR OSSIPEE, N. H. (\ 
Dae 


Oil Color 


Height, 1038 inches; length, 15 inches 


20 PA? 


VENETIAN LAGOONS, FROM THE LIDO ae! yf 
oe he fies 
7 : & = 
Oil Color Y im@ 
; #Y 
Height, 6 inches; length, 14% inches vie 


26 


IRVINGTON WOODS IN OCTOBER 
Oil Color 


Height, 11 inches; length, 174% inches 


27 . 7 
ON THE VIGA, CITY OF mexico {| | 


28 59 E 


AT NARRAGANSETT PIER, R. I. 


Water Color 


Height, 8% inches; length, 9% inches (). 
: Si, 


Water Color 


Height, 8% inches; length, 20% Ws fh. + = 


29 oo 


A SKETCH IN VENICE 


Water Color . 


Height, 9% inches; length, 14% inches 


30 ue 
AT MORLAIX, FRANCE 


Water Color 


Height, 9% inches; length, 13% inches 


ESCALIER DES CARMES, RENNES, FRANCE 
Water Color Loe] WW J 


Height, 8% inches; length, 20 inches 


2 


ON THE VIGA, MEXICO be 
i w 
“See j aw 
Water Color Ad In, ¥ 
Height, 8% inches; length, 9% inches af ji 


OSSIPEE MEADOWS, N. H. / fe 
Water Color a ¥ pyé 


Height, 10% inches; length, 15% inches Y BBs 


34 * 
STREET SCENE AT MARFIL, MEXICO 


Oil Color 


Height, 7% inches; length, 8Y% inches J 
{) 


sf Hae 


| / 
Oe 


aT8) 


Oil Color (fo ti 
Height, 8% inches; length, 12 inches { ff. | 


56 


THE PACIFIC COAST IN CALM WEATHE 
EVENING a 


Oil Color 


Height, 24 inches; length, 50 inches 


37 


Oil Color 


Height, 22 inches; length, 27 inches 


9)? 
re _ 
THE LIME KILNS OF PUEBLO, MEXIC fe fi 


38 we 


GRINELL’S POINT, HASTINGS-ON-HUDSON v 
Height, 9% inches; length, 15% inches J ile A 


39 #\ f)r 


A STUDY OF TREES, SAW-MILL VALLEY, noes: re a | 


CHESTER COUNTY | a 
Oil Color i 7° 
Height, 914 inches; length, 12% inches 
40 
VENICE AT SUNSET hy) av V 
a a // i ‘Ah v 
Oil Color i ; (VW j! ‘ 


Height, 5% inches; length, 13%4 inches 


WOOD SCENE, HASTINGS-ON-HUDSON |) lw 
Oil Color Vil by y 
Height, 9% inches; length, 1444 inches 7 
49 So) 
LATE AUTUMN AT IRVINGTON Ae 
Oil Color fi Aa . 
j bal a ‘Jai 3 
i ik 


Height, 7% inches; length, 14 inches | Ly 


i) pe 


45 


AT NARRAGANSETT PIER 


Water Color ) | ae 
Height, 8% inches; length, 19% inches i Yl ae 


++ 


THE CATHEDRAL AT QUIMPER, BRITTANY, 


Water Color ; 


Height, 20% inches; width, 8% inches 


45 


FISHING BOATS, BAY OF NAPLES | 


Water Color ) Nan 


Height, 8% inches; length, 19% inches N ; 


5 
: ‘i 


46 | 0 af 


COAST OF BORDIGHERA, ITALY 


Water Color 


Height, 8% inches; length, 20 inches 


"agueucr AT PUEBLO, MEXICO 


| Water Color 


Height, 10 inches; length, 21% inches 


LAKE TEXCOCO, MEXICO A 
Oil Color : 


Height, 8% inches; length, 12% inches 


p49 


‘E EDGE OF A WOOD IN NOVEMBER 
Oil Color 


} 


a me | Height, 34 inches; length, 36 inches 


THE CASTELLO DEL OVO AND LIGHTHOUSE, 
cae NAPLES 
‘5 i . iy, Oil Color 


_ Height, 22 inches; length, 27 inches 


BI 


Oil Color 


Height, 31 inches; length, 72 inches 


D2 


VENETIAN FISHING BOATS BECALMED IN 
THE ADRIATIC 


Oil Color | | Uv 7 a 


Height, 24 inches; length, 50 inches 


2A | 
4 


THE CHURCH AND ISLAND OF SAN GEORGIO, 


Be 1 io i 


Oil Color 


Height, 31 inches; length, 72 it e 


MR. COLMAN’S PRIVATE COLLEC- 
TION OF WORKS BY THE BAR- 
BIZON AND OTHER PAINTERS 


D8 fn) 


JAMES MARIS oa Nh ww é 
A DUTCH TOWN MAA* 


Water Color 


Height, 18 inches; length, 21 inches 


o4 2 
J. H. WEISSENBRUCH | 
A WINDY DAY IN HOLLAND 


Water Color - 


Height, 10 inches; length, 20 inches V 


55 N 
JAN MIEL . 


A DUTCH TOWN 


Height, 19% inches; length, 26 inches iy : if 


56. 
G. RICHTER 


THE ROMANTIC READER 


Height, 194% inches; length, 23% inches 


Dr 
ANDREAS ACHENBACH 


COAST OF HOLLAND 


Height, 23 inches; length, 33 inches 


08 


EUGENE DELACROIX 


DANTE AND VIRGIL CROSSING THE STYX 


ey for the large picture in the Louvre 


Height, 13% inches; length, 15% inches 


From THE JoHN TaAytor JOHNSTON COLLECTION 


og 
Je B. C. COROT u 
A SILVERY AFTERNOON 


r 


‘ Height, 9 inches; length, 12 inches 


1) &)> 


N. V. DIAZ An 
A NYMPH : 


Height, 734 inches; length, 8% inches 


61 nA 
J. B. C. COROT ae 
s 2 a A a 


Mesruny AT VILLE fae, YA UGG 


Height, 9 inches; length, 12% ae ‘ 


| 
d 


62 beter 
A. G. DECAMPS qi | Wk 
A SCENE IN SMYRNA - s 


Height, 6 inches; length, 9 inches 


‘ 
63 roy 
B Ve 
a eae 
A. L. BARYE | int 
i} fA 
i | yt w 3 


LANDSCAPE AND DEER ii aane 
! i d/# 


Height, 7% inches; length, 12 inches 


Si 


ae 
VICTOR NEHLIG — = > : ih oa 

COMBAT IN THE WOODS Aull | . 

Height, 7 inches; length, 16 inches sy eS as a 


65 


JULES JACQUES VERASSAT | 


A STREET SCENE IN FRANCE _ 


Height, 4 inches; length, 6 inches 


66 


W. ZWART 


Water Color 


Height, 5%4 inches; length, 10 inches 


67 
W. ZWART 
WINTER IN HOLLAND 


Water Color 


Height, 18% inches; length, 153% inches 


Water Color 


eight, 13 inches; length, 19 inches 


69 
- -NICOLASS BASTERT 
ss WINTER IN HOLLAND 


Water Color 


4 


Height, 9% inches; length, 12% inches 


70— 
7 v. TAPTRO 


MOORISH SOLDIER 


Water Color & Mn 


Height, 744 inches; length, 18 inches 


ra 


; 


| 
4 
i 
i 


Fen 


Ww. M. CHASE | : Seca Ee 


STUDY OF A HEAD ‘ 


Water Color 


Height, 10 inches; length, 14 inches 


72 
FRANK CURRIER | 
TWILIGHT 


Water Color 


Height, 11 inches; length, 26 \inches 


(eu 
J. FRANCIS MURPHY 


_ WASTE LANDS 


| Water Color 


Height, 14 inches; length, 20 inches 


, mum 1 VEDDER 
ost SAPPHO 


5oF Color 


Height, 8 ee length, 8 inches ts Ser a a8 
LS ies : ; p 
— 83S sé’ 
ELIHU VEDDER 
| BEREAVED 
. | 
2 Oil Color 
_ Height, 7 inches; length, 16 inches 
' 


76. 
WILLIAM SARTAIN 


HEAD OF AN ITALIAN GIRL 


Oil Color oh 


Height, 15 inches; length, 18 inches 


MM ‘ ee ae : 
PROF. FINDRICH EIBNER _ 


i i oe nie Neots et ie ee al 
THE CATHEDRAL AT PRAGUE / 
Water Color 


Height, 18 inches; length, 25 inches 


78 
JAMES MARIS— 
ITALIAN GIRL 


Oil Color 


Height, 10% inches; length, 22% inches : 


79 
F. ROYBET 
THE DWARF OF CHARLES P. 


Oil Color 


Height, 614 inches; length, 9 inches 


PICTURES IN OIL COLOR PAINTED 
BY MR. COLMAN 


80 Z 3 A 
¢ ; : 
’ pe | * 
. 


THE MOSQUE OF SIDI-BOU-HAC, TLEMCIN,}}, |/¢v" 
ALGERIA Al 
Height, 11% inches; length, 20 inches ») vi 
81 j Oy 
iv ; { Mm 


SAW-MILL RIVER, WESTCHESTER COUNTY 4d an) 


Height, 7%4 inches; length, 14 inches 


82 


ROCKY FARM, NEWPORT, R. I. 


Height, 9% inches; length, 13% inches 


83 


7HE COAST OF HOLLAND AT SUNSET _ , paw 


Height, 24 inches; length, 30 inches Pais 


THE WATER TOWERS OF MARFIL, MEXICO Se 


Height, 24 inches; length, 50 inches Ke “V 


89 


AUTUMN IN THE KANAWA VALLEY, WEST 


VIRGINIA Wd 7 : 
| ‘Lae 


Height, 31 inches; length, 72 inches 


86 


THE GRAND CANON OF THE COLORADO, 
ARIZONA 


Height, 41% inches; width, 35 inches 


87 


.THE MOUNTAIN AND CLIFFS OF ARIZONA/ 


Height, 20 inches; length, 40 inches 


88 


THE BORDERS OF LAKE TEXCOCO, MEXICO 


Height, 13% inches; length, 16% inches 


89 C7 


THE RUINS OF A MOSQUE AT BOUMADINA, ; } a 
ALGERIA 3 he 
se uJ 
Height, 11 inches; length, 19% inches iM 


90 Dy", .) 4 


THE PACIFIC COAST AT MONTEREY, CALI- , y, ,4** 


: , «ms -f 
FORNIA tf i a AN 
Height, 13% inches; length, 29% inches Ji 


91 Pe 


A STREET SCENE AT MORELIA, MEXICO’ Jf jt 
92 
ROCKY FARM IN AUTUMN, NEWPORT, R. I. » | ae 
| Height, 12% inches; length, 22 inches ry 
93 
THE CITY OF LEON, MEXICO PS, 


Height, 7 inches; length, 9 inches 1A i Ui ee 


94 


EVENING LIGHT ON MT. BAKER, CASCADE Ny 
RANGE if | Aa 


Height, 6% inches; length, 13% inches J | % 


95 


OUTSKIRTS OF THE CITY OF MEXICO 


ALA. alll 
Height, 7% inches; length, 144% inches 1 A Fis r | 


AMERICAN ART ASSOCIATION, 
MANAGERS. 


THOMAS E. KIRBY, 


AUCTIONEER. 


7 ¢ 


Ll aye 


GETTY RES EARCH INSTITUTE 


IMMUN TA i 


3 3125 01662 7966 


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